Studio 192 Mobile is a USB 3.0 audio interface and studio command center. It offers 22 x 26 I/O and pristine audio quality up to 192 kHz with 2 digitally controlled XMAX Class A mic preamps and flexible connectivity options, including ADAT Optical I/O that lets you expand the system with a PreSonus® DigiMax DP88 8-channel A/D/A converter/preamp. Tight integration with included Studio One® DAW and the companion Studio One Remote app for iPad® provides remote control over microphone preamp and monitor mixing from your recording environment. Studio One’s exclusive hybrid Fat Channel plug-in runs on your computer’s processor and on the Studio 192 Mobile DSP, seamlessly switching between playback and recording. Monitoring with effects is also available from included UC Surface control software for third-party DAW users.
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Microphone Preamp |
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Type | XLR Female (via Combo), Balanced Remote |
Maximum Input level (min. gain, 1 [email protected]% THD+N) | +12 dBu, ±0.5 dB |
Gain Control Range | 60 dB, ±1 dB |
Frequency Response (A-D) | 10 Hz to 40 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 110 dB |
Dynamic Range (mid. Gain, unwtd) | > 105 dB |
THD+N (min. gain, a-wtd) | < 0.005% |
Input Impedance | 1.6 kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) | < 128 dBu |
Common Mode Rejection Ratio (1 kHz, +55dB gain) | > 55 dB |
Phantom Power | +48V, ±3V, > 8mA per channel |
Instrument Inputs |
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Type | ¼” TS Female (via Combo), Unbalanced |
Maximum Input Level (min. gain, 1 [email protected]% THD+N) | +16 dBu ±0.5 dB |
Gain Control Range | 60 dB, ±1 dB |
Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 110 dB dB |
Dynamic Range (mid. Gain, unwtd) | > 105 dB |
THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Input Impedance | > 1 MΩ |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Line Inputs |
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Type | ¼” TRS Female (via Combo), Balanced |
Maximum Input Level (min. gain, 1 [email protected]% THD+N) | + 18 dBu, ±0.5 dB |
Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 114 dB |
Dynamic Range (mid. gain, unwtd) | > 105 dB |
THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
Input Impedance | 10 kΩ |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Main and Line Outputs |
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Type (Line Outputs) | ¼” TRS Female, Impedance Balanced |
Type (Main Outputs) | ¼” TRS Female, Impedance Balanced |
Maximum Output Level | +18 dBu, ±0.5 dB |
Frequency Response | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (a-wtd) | > 112 dB |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Output Impedance | 51Ω |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Headphone Outputs |
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Type | ¼” TRS Female, Stereo, Unbalanced |
Maximum Output Level | 150 mW/channel @ 60Ω |
Frequency Response | 20 Hz to 20 kHz, ±0.3 dB |
Dynamic Range (a-wtd) | > 103 dB |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Signal Level LEDs |
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Signal 1 | -50 dBFS |
Signal 2 | -30 dBFS |
Signal 3 | -20 dBFS |
Signal 4 | -10 dBFS |
Signal 5 | -6 dBFS |
Signal 6 | -4 dBFS |
Signal 7 | -2 dBFS |
Clip | -0.5 dBFS |
Digital Audio |
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Host Interface | USB 3.0 (backwards compatible to USB 2.0) |
ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
Bit Depth | 24 bits |
Internally Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 kHz |
ADAT Optical I/O | ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)] |
S/PDIF I/O | RCA female connections, supported up to 96 kHz |
Word Clock I/O | BNC connector, 4.5 Vpp @75Ω load |
Clock |
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Jitter | <50 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
Power |
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External Power Adapter | +12 VDC, 3.0A, center positive |
Connector Type | Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
Physical |
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Dimensions | |
Height | 1.75” (44 mm) |
Depth | 7” (178 mm) |
Width | 12.5” (317 mm) |
Weight | 5 lb. (2.3 kg) |
As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
“As a portable USB 3-equipped recording interface, the Studio 192 Mobile simply can’t be beat. It sounds good, has tons of I/O configurability and is amazingly priced.”
Russ Long, ProSoundNetwork, March 2017